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Rene Almanza (b.1979, Mexico)
Perdida de la inocencia del inconciente colectivo. Oleo sobre tela, 1,20x1,80 m
M1-17. Tinta china sobre papel, 76x106 cmOriginally from Monterrey, Nuevo Leon, Rene Almanza graduated from the School of Visual Arts of the UAN. He began working during his adolescence as a visual artist; first in graphic novels, underground fanzines, the newspapers of Monterey, and later in printed media mainly designing signs. In 2000 he joined the editorial/political cartoon department of the group Reforma, illustrating various articles. After Reforma, he joined the Shinseken Editorial group of Tokyo, working in a illustrated project which collected folk tales from around the world. Currently he is working with the publishing house Sirpus (Barcelona, Spain), illustrating a series of bilingual books on the history of the Zapotec communities of Oaxaca. Almanza has received several international recognitions for his beautifully frantic line work that exudes urgency, passion, and agitation. Many thanks to nearlya for this Tumblr Monday to introduce us Rene Almanza!
[more Rene Almanza | Tumblr Monday with nearlya]
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“missing part” by anatol knotek
[if you are interested in buying this little book, please contact me on tumblr or via email: anatol(at)anatol(dot)cc]
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(via conflictingheart)
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evening speed paint, 22 min of samurai RAGE - time lapse vid: http://youtu.be/b75F-W2Ckns
(via theonlymagicleftisart)
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Theorizing Bruce Lee: Film-Fantasy-Fighting-Philosophy
Theorizing Bruce Lee is a unique work, which uses cultural theory to analyse and assess Bruce Lee, and uses Bruce Lee to analyse and assess cultural theory. Lee is shown to be a major ‘event’ in both global film and global popular culture - a figure who’s central to many intercultural encounters, texts, and practices. Many key elements of film and cultural theory are employed to theorize Bruce Lee, and Lee is shown to be a complex - and consequential - multimedia, multidisciplinary and multicultural phenomenon. Theorizing Bruce Lee is essential reading for anyone interested in Bruce Lee in popular culture and as an object of academic study. “Bruce Lee is a complex and contradictory figure, and it’s a formidable task to take on the multiple facets of his legacy - fighter, film star, philosopher, nationalist, multiculturalist, innovator. With an approach as multidisciplinary and iconoclastic as Lee’s approach to martial arts, Bowman provides an original and exhilarating account of Lee as ‘cultural event’. No one has done a better job of explaining why the martial arts ‘legend’ remains such an important and provocative figure.” - Leon Hunt (Brunel University), author of Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger. - “Taking on Martin Heidegger and Slavoj Žižek as well as drawing on Jacques Derrida, Michel Foucault, Guy Debord, Jacques Rancière, Rey Chow, and Stuart Hall, among others, Bowman shows how Bruce Lee ‘speaks’ to the philosophical debates that frame our understanding of global popular culture today. Although Bowman may not be able to resolve the philosophical battles surrounding our ability to ‘know’ Bruce Lee, he does a remarkable job of articulating why Bruce Lee remains an essential force within not only world cinema but global culture - both ‘high’ and ‘low.’ Armoured with his philosophical nunchakus, Bowman goes to battle with anyone who may doubt Lee’s ongoing importance, and this book will undoubtedly become essential reading for everyone (from philosopher to kung fu practitioner) interested in popular culture and Asian cinema.”
(Editor’s note: Can I just say that I read this 200 page PDF on Bruce Lee over the weekend and it was pretty interesting. The author weaves Žižekian pseudo-philosophy with Far East koans…all of it centered around Bruce Lee. He even goes in on some Ghost Dog scenes. It is next-level nerdy.)
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